Tuesday, June 9, 2026

The TV Season in Review

I used to review the TV shows I watched. Over the last three years, that hasn’t happened as much, because there was nothing I felt was worth even talking about.

And now, things are a little different.

So, a few TV shows to discuss.


RJ Decker

I did not see this coming.

ABC flooded every conceivable channel and outlet with commercials for this show. I could not escape the ads if I tried. I couldn’t make heads or tails of what it was.

On a whim, I decided to try it.

Thank God I did. It’s been the highlight of the TV season. It really has.

And I knew it was going to be awesome from the moment I saw “Based on the novel Double Whammy, by Carl Hiaasen,” with executive producer, Carl Hiaasen.

If you don’t know Carl Hiaasen, his entire career as a novelist has been “Florida man, the novel.”

Now we have Jim Rockford meets Florida Man the TV show.

RJ Decker is a news photographer who beat up the wrong thief. A beautiful woman seduces him before his last day in court … and before she perjures herself to throw him in jail.

Now that Decker is out, he’s acting as a Private Investigator. He’s living in the pool house of his ex-wife and her new girlfriend, who is a cop. And we proceed from there. The way it’s handled, I’m not sure this scenario would have worked any other way. Also, they don’t hit you over the head with it. It’s barely mentioned unless utterly necessary to the plot. It’s less a “gay is normal and not weird” and more a “Florida is abnormal and very weird.”

You know what makes this stand out? IT’S SMART. It assumes that you’re smart too. Our hero observes something, makes a deduction on it, and we move forward. We’re not lingering on it, we’re not pretending that you the viewers are stupid. We’re not pretending the characters didn’t see what was right in front of them.

It’s also entertaining. These people are likeable.


The Hunting Party

After several false starts, NBC has finally gotten their reformulation of The Blacklist.

The premise for this show is simple: The government has faked the death of hundreds of serial killers in order to throw them into a super secret government prison called “The Pit.” There, scientists experiment on the killers in order to “fix” them.

Of course, nothing could possibly go wrong with this idea, right?

Until an explosion hits The Pit and unleashes a whole wave of inmates on an unsuspecting populace.

To hunt down and recapture these psychopaths, we have “the hunting party,” with a profiler, a CIA operator, and a soldier who was a Pit prison guard.

It’s interesting that NBC’s solution to recreating the Blacklist, only with Criminal Minds instead of Bond villains.

Believe it or not, I have enjoyed this show. Granted, I needed to get over a few things. Such as “WHY AREN’T ALL THESE PSYCHOS CHIPPED AND LOJACKED WITH GPS!” But it really just boiled down to “we have an illegal but inescapable jail, why don’t need to chip our prisoners! They can’t escape!”

F***ing government.

There are more than a few moments where you’re going to look at this and go “F***ing government.” I’ve lost count of the number of stupid experiments that the government has done in real life. The Hunting Party feels like they’re going to take every stupid idea and apply them on guinea pigs, only the guinea pigs are less sympathetic.

Part of the entertainment value is seeing how much the results of the “treatments”—usually it’s a matter of “We’ve got an evil and broken monster … let’s see how we can break him EVEN MORE.”

Apparently, NBC is dumping money into this show. Kelsey Grammar showed up as a Jonestown like cult leader.

Now, I don’t quite know where this show is going. But so far, it’s been entertaining.


Wild Cards

CW has something good on. Who knew? It’s called Wild Cards, a Canadian production that’s being broadcast on CW.

The premise is simple enough, it’s one part Castle and one part White Collar.

SHE is a career criminal, raised by criminals. She grew up robbing the great places of Europe… and being raised by television and media. She has an amoral viewpoint and more pop culture references than the show can footnote. They literally don’t even try. After she cons her way onto a case, she ends up being a consultant (Think Richard Castle or Neil Caffrey).

HE is a cop in the doghouse— or in this case, harbor patrol. He’s tightly wound, and he has a dead brother who’s murder is unsolved. He’s more tightly wound than Kate Beckett ever was.

So you can see where I see overlaps with other shows.


High Potential

When the show begins, Morgan Gillory is a janitor at the LAPD, and is compelled to correct the murder board in homicide. She’s a single mother of three, and a high IQ … with all the personality quirks that go with it.

After that, it feels very much like the closest they get to Murder, She Wrote. You know, a quasi-police procedural where there’s a Castle-like consultant. This is very much The Mentalist, without the carnie showmanship. Also, the actress playing Morgan Gillory, Kaitlyn Olson, does not have Patrick Baker’s +10 charisma.

And having David Giuntoli from Grimm play one of the killers was just entertaining.


Watson

Morris Chestnut was the black sidekick from Under Siege 2. And he really, really wanted to play a doctor. He had at least one show where he was a Florida medical examiner.

Now, he’s playing Watson.

Watson is supposed to be the post-Sherlock life of Doctor John Watson, only he’s an American doctor, and they’ve all but deleted his military experience. (It was mentioned in one episode. Never again.) He’s now back home in Pittsburgh, a geneticist playing diagnostician with a team of medical experts to help him solve medical mysteries.

Yes. Watson can best be described as House, MD… but without the sadism or the humor. Unlike Hugh Laurie’s psychopath with a medical degree, I don’t want to horribly murder any of the characters.

It’s … okay.

The best actor here is Peter Mark Kendall who plays “the Croft brothers.” The personalities, the mannerisms, the body postures, are so distinct, I sometimes believe they’re played by two actors.

The follow up is Eve Harlow—who I am certain is someone I know from elsewhere, but her IMDB resume tells me different.

I don’t know. She looks like someone… anyway. Next show.


Best Medicine

Did you ever see the UK TV show Doc Martin? This is the American attempt to recreate it. They even hired to play the original Doc Martin to play the lead’s father.

Premise: a tightly wound, antisocial surgeon (redundant, I know) moves to a small town that he has fond memories of so he can hide his recently triggered hemophobia.

Do I like this series? Yes. I watch this for the medical mystery of the week. That’s it. It feels very much like Royal Pains. I like our Doctor. I sympathize with him.

But they’ve made the “small fishing village in Maine” into a freak show. Because small towns apparently filled with retards, racially diverse gay couples, “the kids are too smart for this town,” blah blah blah. And every other episode is a yearly festival that no one told him about until five minutes ago.

If you’re from a small town, you will probably find this offensive. I only watch this on DVR, and fast forward so much, I can get through a 42 minute episode (sans commercials) in 30 minutes or less.


Sheriff Country

I gave up on the series Fire Country in the first episode. It’s a rare thing for me to do. My family trained me to give a series at least three episodes before giving up on a TV show. It’s a TV Guide reviewer policy my family adopted decades ago. I presume TV Guide no longer exists.

Anyway, Fire Country was so heavy in the soap opera nonsense that I gave up on the whole thing.

So when the spin-off Sheriff Country came out, I said “Aw Hell No.”

But it had Morena Baccarin. And I like her. She’s hot. She can act. I just wish she was in shows that didn’t suck.

Sheriff Country is no exception.

Okay, that’s a little harsh. I only recently gave up on it, despite several plot threads that nearly killed any and all interest in the show. But no, at long last, it killed my interest stone dead.

Our Sheriff’s father is played by W. Earl Brown, a veteran of Deadwood. He’s the most interesting, colorful character in the show, and is probably the main reason I put up with Sheriff Country for so long.


CIA

If you look at my review of FBI, you know I had no hope for this spin-off series going in. But I wanted to see Tom Ellis at work in something other than Lucifer.

Tom Ellis went from being Satan to being a CIA agent, and he didn’t have to change character much. That joke writes itself.

It’s stupid.

So, so stupid.

The Joint Terrorism Taskforce, what’s that? We don’t need no stinking task force. We’ll just slap a random FBI guy to a CIA office in the middle of Manhattan and that’ll suffice for CIA to run the streets of America. Yeah. Sure.

Iran’s best assassins are women. Obviously. (Episode two. Honest. That was the plot.)

Sure, let’s send the boss into Hong Kong to exfiltrate a NOC hunted by China. (Literally episode three.)

Of course AfD are white supremacists. No, why bother pretending to research international politics on a CIA show? Our viewers are too stupid to know better…

Someone please stop putting Dick Wolf’s name on everything.


Boston Blue

Remember Blue Bloods? It followed a family of New York City cops (and an ADA) in their day-to-day lives? It featured Mark Wahlberg as Danny Regan?

Well, for real-world reasons (a New York City hiring freeze), Danny’s son has become a cop in Boston. When he’s injured in the line of duty, Danny is on the first shuttle up.

The premise of this series revolves around another family of law enforcement… only instead of Boston Irish, this family is black and Jewish, and grandpa is a Baptist preacher. In Boston. How does this work? In a highly convoluted manner and beggars belief.

I have gotten halfway through season one … also on fast forward.

I thought this was going to be a train wreck from minute one.

Why?

Danny Regan’s Boston partner is the lead actress from Star Trek: Discovery, Sonequa Martin-Green. That was strike one.

Is it crap?

It’s not as much obvious crap as I was concerned it was going to be. The saving grace of this show is Mark Wahlberg and Ernie Hudson,1 and surprisingly the actor playing Sean Regan. But this is a perfectly good waste of actress Gloria Reuben, who I remember being a much better actress than this. But there are some lines not even Wahlberg and Hudson can make work.

Again, this is another show I watch on fast forward. In fact, the more I watch of this show, the more I fast forward. There’s only so much I will put up with for characters I like.


Death in Paradise

If you like Agatha Christie-like puzzles, you should be watching this show. I’ve seen every season of this show at least four times, and these puzzles still get me sometime. Even when I remember the solutions, I sometimes don’t remember whodunit.

Joséphine Jobert is one of the local island cops, and is a cousin of Eva Green.

And part of the fun is the culture clash, since every lead detective is from the UK, and dropped into a Caribbean environment that they don’t quite gel with. And of course, we have a rotating cast of actors, because UK shows don’t keep casts like American shows. The first detective is downright Victorian. The second looks like a Weasley cousin. We have an Irish Columbo, a hypochondriac and a jerk at different time.

It’s a fun comedy mystery.


NCIS

It’s still on. It’s still an entertaining police procedural. And I like Gary Cole.

And I must admit, their 500th episode was surprisingly good, with a beautiful twist I didn’t see coming.

NCIS Origins

I think this show is finding its footing. The excellent actor they hired for flashbacks of young Doctor “Ducky” Mallard has made two appearances this season—probably for sweeps week.

And they dedicated an entire episode to a dog, who has more acting range and facial expressions than their primary actress.

Other than that, I think my original review holds up.


Tracker

If you remember The Bone Collector, it had a quadraplegic forensic expert solving murders. It’s based on a Jeffery Deaver novel.

Jeffery Deaver also created Colton Shaw, who is his attempt to copy Jack Reacher. Only Shaw is a bounty hunter, using his prepper skills from his youth to find missing people.

In the TV show, Shaw is played by Justin Hartley, who was in Smallville as Oliver Queen. The producers hired some DEI rejects for background grunt work.

The first season, I gave up on in the first thirty minutes. The women who find him work are an old lesbian couple, who were written to be annoying. His lawyer is an ex who is a raging bitch. And there was the obligatory hacker to be used as a shortcut, because computers are magic. He, of course, was racially ambiguous.

Fast forward a little and I found that Jensen Ackles was being hired to play Shaw’s brother. I gave into temptation and tried it just for Ackles. The lawyer ex toned down the bitchy. The ancient lesbians were being phased out, as was the hacker.

Overall the show is okay. It’s another show that I am heavy handed with the fast forward button.

No, I don’t stream if I can avoid it, and I hate commercials.


That’s all I have for today. Unless you want me to discuss older TV shows I have on disc.

Again, feel free to ask me anything in the comments. If you get an email, you can ping me through the comment button at the top.

And please, feel free to buy a book, or leave a book review. Either would be greatly appreciated.

Buy my books

Buy from Tuscany Bay

1

Of course… for both of them.

Monday, June 8, 2026

Nuking Disney(planet)

 I occurred to me that someone asked me a question, and I never answered it. Literally, never. And it was about my books. I didn’t answer because it was a question on Facebook, and my reply would be a freaking blog article…

Oh wait, I have one of those.

The question was, “How did you turn a thirty page short story into a Tuscany Bay Books novel?”

Come with me now back to 1998. I was writing what would become White Ops—which, you may recall, started as Babylon 5 fanfiction.1 Writing all this was supposed to just get random ideas out of my head. It was not supposed to spiral into 4,000 pages, six novels, and a compulsion with writing.

I had gotten the first two books out of the way, finally, and it covered the events of the TV series. And I kept going. I started plowing into what came next.

My father made an offhand comment about “Why not a terrorist takeover of Disneyplanet?”

That short story—and at that time, everything in the novels was a short story—was about thirty pages long. My characters arrived. They unpacked. The terrorists were already in place in security, so they quietly took the planet hostage during the night. My heroes figure it out and kill everybody.

That was, again, 30 pages … maybe sixty.2 Everyone was dead. The end.

Funny enough, Tom Clancy’s Rainbow Six came out that August. One of the hostage instances was … a terrorist attack at EuroDisney (Spain, if I recall correctly.) So, timing.

I moved on from the fan fiction, wrote other novels. I went back, tinkered some more. I must have I think I had written about twenty or thirty novels before I went back the for The Final Edit.

Main Street DOA

By then, most of my books ran entirely on having smart villains, who had a lot of resources and manpower.

And in the original short…

  • Hey! I developed my own lore during this rewrite. I need to make this make sense.

  • Why are my heroes within walking distance of the villains? We have a planet to work with. Put them on the other end of the planet. Getting there is now half the fun.

  • I basically assumed everyone had an idea of what Disney looked like. I gave minimal descriptions of what the Planet looked like. So description? What description?

  • If getting there is half the fun, I have to set up some threats.

  • Oh, wait, I can’t just data dump description. I have eight characters, let them have fun for a day, that way I can outline some threats and have the gun on the wall in act one.

    • Like the killer animatronics (Why, yes, I grew up watching the Yul Brenner Westworld, why do you ask?).

    • Or Cretaceous World, with the genetically reengineered dinosaurs—oh, who cares if they’re all from three different eras, no one is going to notice.

    • Most planets are heavy on the water… there was a giant squid in 20,000 Leagues Under the Sea, right? And there were giant sharks, right?3

    • That’s the ocean. But we have animatronic pirates, don’t we?

    • Westworld was far too easy. Surely we can up the ante.

  • This is all too easy. Let’s detail the massive, world ending threat.

  • This is too easy. Let’s make the threat harder to disarm.

  • This is still way too easy. Let’s go Full John Ringo! BWAHAHAHAHAHAHA

  • This is too simple. Here are the terrorists. Here are my heroes. I’m going to throw in a wild card. And I’m going to address the military response with orbitals overhead.

  • Wait, I had personal backstory for one of my heroes with the villain. I should probably go into emotional splash damage.

  • Oh, yeah, MAKE IT NOT DISNEY, YOU IDIOT, YOU DON’T WANT TO GET SUED.

So, yeah. I had some expansion. I had a whole world to play with and I didn’t play with it. For some reason,4 I was way too gentle on my toys. But I was the writer, and I can break my toys if I wanted.

Jim Butcher likes to say that he has no original ideas, he just steals from a lot of places—like Harry Dresden is “just” a magical Jim Rockford or Spenser. If that’s the case, White Ops 3: Main Street DOA is some Rainbow 6, Westworld, Jurassic Park, Pirates of the Caribbean, Meg, and some John Wick, just for fun.

As the saying goes: to steal from one source is plagiarism, to steal from many sources is called “research.”

So, how do you expand a short story into a full novel? A little effort, really.


Again, feel free to ask me anything in the comments. If you get an email, you can ping me through the comment button at the top.

And please, feel free to buy a book, or leave a book review. Either would be greatly appreciated.

Buy my books

Buy from Tuscany Bay

Buy from Baen Books

Sunday, June 7, 2026

James Gunn, firing blanks

While doomscrolling Instagram the other day, I tripped over a story that, well…

Apparently, James Gunn says it’s SOOO hard to do a Batman film, because so many Batman stories have been told. It’s so overexposed. Batman’s boring…

Yes. Really. Gunn said that.

Closing in on 100 years of Batman, and he can’t find a story that hasn’t been done. Yeah. Sure.

Pardon me while I count off the number of possibilities they could run in the footnote.1 

Because right now, there are side quests from the Batman: Arkham Games that could make better films than some of what I’ve seen for the past five years.2

But then again, James Gunn is relying on notorious one-trick pony Tom King for his comic book knowledge. If you don’t know, Tom King’s notoriety comes from a Batman run where he set up a Batman / Catwoman marriage, and then rug-pulled everyone. News about the face-plant leaked the week before the comic issue released. King’s comic book sales catered. He was kicked off… and sent to a Supergirl miniseries. And that series is the basis of the new movie…

Ugh. For the love of…

I can’t imagine why Gunn says he has a problem adapting Batman, can you?

Of course, we all know the real reason.

Gunn says Batman is overexposed.

What Gunn means is that it's hard to make an ADHD, quippy, quirky team film centered on Batman.

In other words, it's not really hard to make a Batman film.3 It’s just difficult to make Batman a James Gunn character.

Of course, we know what we'd get from a Gunn Batman film:

  • We'd get Batman Forever, but with the real focus being on “the Outsiders”4—a quirky team of misfits that tangentially connect to the Bat-Family.

  • The real main character would really be the former Robin Jason Todd, in his adult version as Red Hood.

  • It'll confuse frenetic, frantic motion with action, and be filled with quirky, quippy humor. Because Gunn.

  • Moral of the story will be "the real family are the friends we made along the way."

Because Gunn has one trick. And I'm not sure I liked it the first time. It’s starting to look like fewer and fewer people like it, as well.

So, no, I don’t see James Gunn making a Batman film with his usual gimmick, unless he wants to remake Adam West for "modern audiences."

Meanwhile, if Chuck Dixon5 or Mike Baron6 wrote, consulted, or even gave the nod to a Batman film script, it would be a film I would drag my family to. Why? Because it would involve good writers at the very foundation of the script. Even if Gunn was involved.

How likely is it that James Gunn would bring in a competent, comic book veteran to help with a script?

HAHAHAHAHAHAHAHA.

Like Gunn would let that happen. A veteran comic book author who knows the total breadth and depth of the subject would produce a superior product … not a James Gunn product.

We already know Gunn is using Tom King for his comic book lore. Because why use a successful comic book author? Gunn has to read comics that fit closer to his style.

Let us, for example, take the upcoming DC project, Supergirl.

I mean, Supergirl is going to be another big budget film, isn’t it? It wants to be part of a billion-dollar franchise, right? It’s going to cost at least $100 million to make, isn’t it?

Surely, James Gunn is going to hire only the best writers to tackle a project this important, isn’t he?

Surely, the script writer Gunn hired has written plenty of screenplays…

Of course not.

Meet script writer Ana Nogueria.

These are her writing credits:

Well, that’s … not good.

No, really, why are we entrusting a hundred million-dollar project to someone who has only ever written a short?

Is Gunn relying on director Craig Gillespie to do the heavy lifting? The director of the 2011 Fright Night remake, I, Tonya, and Cruella?

Based on the last two, I guess this will be even less Supergirl, and more Sympathy for the Devil.

You may have noticed there is a a trend in most (if not all7) of the post-Endgame comic book films. The standard operating procedure is to hire nobodies to write and / or direct, to churn out the product desired by whoever is calling the shots these days—be it the corporate Kevin Feige, or James Gunn. Bringing the Russo brothers back for Doomsday was so notable because everyone previously was brought in to follow orders. Even Sam Raimi. How do you waste Sam Raimi like that…?

Yeah, yeah. I’m cranky. Get off of my lawn.

I guess if you’re a DC comic book fan, I hope you like James Gunn Films. because as long as Gunn is in charge of DC (and nothing makes him change), you’re going to get James Gunn films, no matter whose the writer and the director.

So yes. To circle back to where we began, of course Gunn is going to have problems making a Batman film…

Unless, of course, you liked Batman Forever. If you liked Batman Forever, you’re going to love what comes next. I can see it now. Batman is a literal, humorless bruiser. Batgirl will be super serious and killing people. Jason Todd will be a loveable goofball and mass murderer. The character with the most emotional range will be Cassandra Cain, who will have absolutely no dialogue, and probably played by Pom Klementieff.8 And probably Metamorpho will be thrown in to acknowledge the original 1980s lineup, and Gunn already has that character in James Gunn’s Superman.

And since Tom King is his source material, Catwoman will be a pathological-level thief, who will steal for the sake of stealing, no matter how much actual money she has.9

James Gunn “can’t make a Batman film” with his usual formula. Please. Paul Dini pulled off better Batman films in 40 minutes of cartoon than Gunn could in three hours and a half-billion dollar budget.

So yeah, maybe I’m cynical. Maybe I’m cranky. Maybe I’m so out of touch with the mainstream, that Gunn is an absolute freaking genius.

But I don’t think so.

Pardon me, I have this sudden urge to watch Mask of the Phantasm.

Batman Mask of the Phantasm (1993) Pack of 12 Film Clips 35 mm

Illegitimate non carborundorum, y’all.

All the obligatory links

Saturday, June 6, 2026

What Fresh Hell is this?

 In March, I learned a fun new fact.

Three Ravens Press is divesting itself of a lot of properties, trying to focus on their primary IPs—something called JTF13 and something else called Car Wars. If you don’t know what these things are, I’m not going to explain.

What does this matter to me worth a damn?

Fun fact: my original Love at First Bite trilogy came out through them…

Yes. This series has killed yet ANOTHER publisher.1

For those of you keeping score at home, this is the fifth edition of the first book, and edition four for the rest.

In the beginning, Honor at Stake went through Damnation Press. Yes. Really. A technically “Christian book” series went through Damnation.

When Honor at Stake was nominated for the Dragons in the first year, I really wanted book two to come out in short order. Damnation Press was taking their time. They gave it back to me. It felt like they threw it at me.

In short order, I found out why:

I believe within the month of my publishing what is now Demons are Forever,2 Damnation press folded like a house of cards. It was bought out and eaten by another publisher. Don’t ask me the name, I don’t recall.

I self-published Honor at Stake and the rest of the series between 2016 and 2017.

Book three, Live and Let Bite, was nominated for a Dragon in 2017.

2017? Yeah, it had to be 2017.

In 2018, Silver Empire Press, run by morgon and Russell Newquist, picked up the whole vampire series, my entire Pius series, and they pushed me to write Saint Tommy NYPD.

Then 2020 hit. Eventually, Covid and associated policies led to the death of Silver Empire in 2022, in a tale that they will get around to telling in their own good time.

With nothing else for it, I shopped it around. Love at First Bite was picked up by Three Ravens, and rereleased in 2023.

Three Ravens was also going to publish Honeymoon from Hell. But I wanted to give them four books at a time. (Yes, four. I would have self-published Cross Over.) By the time I wrapped up the series, their situation had changed, and Three Ravens wasn’t taking on any new series. If it was not their IP, it was not their problem.

Flash forward to now, and circumstances have changed. Again.

No, Three Ravens isn’t dying. I guess they’re ditching Love at First Bite before it kills them like it has the others. Heh.3

I’m just going back to straight up self-publishing the whole bloody thing. Like I said, Book one is on the fifth edition. No one wants to republish something that’s already come out repeatedly. I’ve even tried some of the usual suspects already, to no avail. Yes, that one. I know what you’re thinking.

So, I’m getting them all republished. Again. By the time you read this, the latest, self-published editions should be up and running at the usual links. I hope.

We’ll see what happens.

At this point, I just want my books available to everyone who might be interested. Self-publishing is just the most reliable way at the moment. You know, until Amazon just de-platforms me for no reason. I’m certain it’s coming eventually.

But yeah. I’ve been doing this dance for fifteen years. After 40 books (I recently counted), I’ve run out of patience. I have no Ducks left to give. All your ducks are belong to us. Quack.

No. I promise you I’m not losing my mind. Not so that anyone would notice a difference. But if you don’t get the reference, I’m not going to explain it.

Yes, I’m at the point where this feels just plain Sisyphean. I’m really hoping that Blaine likes my work, so I can keep writing novels for Land & Sea, maybe focus on them as my primary work from here on out, and do other novels and shorts in my down time. Maybe I can have down time. Maybe I can even force myself to go to conventions and do nothing by hang out and just …. interact with people. Wouldn’t that be odd?

Anyway, so the Love at First Bite books are being republished, by me, myself and I.

The funny thing is, Three Ravens told me about this change right before I had a new marketing campaign ready go to.

That’s probably a good thing. The marketing relied on reviews from JD Cowan (who reviewed the series when the books first came out), and he’s currently been kicked off of social media, for reasons no one is particularly certain of. It’s weird, but life is getting weirder in general. Or I could be coming down with something. Or both.

I should be coming out with a list of Dragon Award suggestions for you sometime soon. We’ll see. So far, I’m thinking Richard Paolinelli and Shami Stovall. I’m not sure who else, yet. Then again, I’ll have to double check the categories. They keep changing on me.

No, I’m not pushing On Tiber’s Edge for an award. I don’t think Wargate or Blaine care about awards. The Dragons no longer has a Military SF category. And I’ve burned months of my life just trying to host discussions on the topic, so I’m just working with other people to cultivate the next list. I work with a review site, so why not?

Again, feel free to ask me anything in the comments. If you get an email, you can ping me through the comment button at the top.

And please, feel free to buy a book, or leave a book review. Either would be greatly appreciated.

Buy my books

Buy from Tuscany Bay

Friday, June 5, 2026

On the Problem of Harry Potter

Normally, I would say that most books should be made into TV shows, if not just plain old miniseries. 

Read the novel Jurassic Park, and you see just how much of a pale imitation the film is. Heck, read both Critchon novels, you can see just how much story was jammed in, then cut up and sprinkled over so many films. 

It’s why miniseries were so big in the 80s—take a James Clavell novel, and it takes ten hours to tell the tale. I’ll still take Richard Chamberlain as Jason Bourne over Matt Damon any day of the week, even if the man was already too old for the part.

What prompted this?

You may have heard that the Harry Potter book series is being turned into an HBO TV show. It’s going to be one of those articles. If you want to look over the trailer, go ahead. But I’m not going to post it here.

Let’s look into why this is going to be a bit of an issue.

Modern Film Making

You thought that headline was going to be “Modern Audiences” didn’t you? Heh. Maybe later.

I saw parts of the trailer side by side with clips from the original movies. I must say, the new trailers were so dark, so dim, so poorly lit, so Zach Snyder filtered, when I saw the clips from the original films, I felt like I was flash-banged with color and light.

Image

But this? Who turned off the lights?

I’m almost afraid to ask who directed this. But then I realized it doesn’t matter, because I rarely see color in a movie anymore. Sure, John Wick liked neon. Nobody 2 was a comedy that was pretty well lit. But so many people are using filters in sepia, gray, and dark blue that I feel like I need NVGs just to see what’s going on in the movie. Don’t even ask me what happened in The Batman, I couldn’t see anything.

Clearly, this show is going to suffer from Game of Thrones-itis, which has infected all of fantasy these days.1 Ooh, everything is so dark! So grim and gritty!

First of all, as Peter David pointed out, “grim and gritty” was a tagline coined for Adam West’s Batman. It was supposed to be absurd, not a suggestion for cinematography.

Second, these are kids books. We don’t need the grim and gritty kids book. Hell, I started having problems with some of the films when they decided to turn off all the lights for the better part of the film.2 Someone bring back Christopher Columbus.

Another issue of modern Hollywood: hiring nobodies to write the adaptation.

Francesca Gardiner has few credits. The most notable of which include Killing Eve (lesbian espionage, oh joy), His Dark Materials (let’s beat up on CS Lewis), and Man in the High Castle (Nazis).

Laura Neal … are you kidding me? Some of this is literal pornography. I thought I was joking about the Game of Thrones effect.

Martha Hillier has written some Viking stuff … some mystery stuff.

Not one of these writers has a substantial CV. What the Hell? Modern media really does mean “hire nobodies to write your scripts.”


The Casting

The HBO show will, of course, suffer severely from a lack of casting.

What do I mean by this?

The original films had Shakespearean actors.

  • Maggie Smith

  • Michael Gambon

  • Kenneth Branagh (whose entire career is Shakespeare.)

  • Alan Rickman (I have a DVD of him playing Tybalt. It’s odd to see him that young.)

  • Ralph Fiennes

  • Emma Thompson

  • Jim Broadbent

  • Helena Bonham Carter

  • Timothy Spall (Yes, the pet rat.)

  • Imelda Staunton (Umbridge).

  • Richard Harris had stage experience going back decades, probably with his drinking partners, Peter O’Toole and Richard Burton.

  • Zoe Wanamaker practically grew up in the rebuilt Globe Theater, and she was wasted on a throwaway cameo.

  • Robbie Coltrane played Falstaff.

  • Gary Oldman is a damned chameleon.

All of these people were veterans of the stage and screen. Some of them for decades. Most of these people had star power all their own that you could draw an audience just for them. Even Bill Nighy has star power, and he was practically wasted in the Potter franchise.

This Harry Potter … doesn’t have that. Seriously, the biggest name here—if you’ll pardon the expression—is Warwick Davis, resuming his role as the music professor.

There is, of course, Jonathan Lithgow. His biggest role is … as a lizard person in The Adventures of Buckaroo Banzai Across the 8th Dimension.

That’s a promotion still I got from IMDB of Lithgow as Dumbledore.

Not to be picky, but why does his beard look like it’s AI? And the background look like it’s CGI? It’s sort of bending behind him, like it’s about to fold in half. Did they not have the budget to build sets? Are we playing Resident Evil on the original Playstation?

So, no, I don’t have much hopes for this cast. They’re going to be compared to the original cast, and unfavorably. It looks like they’ve hired a bunch of character actors. Which is great. I like character actors. They can, you know, act.

But none of these people have high caliber star power. None of them are draws in and of themselves. And if you’re going to try to sell people on a product they already have at home, you want to draw them in with something that will assure them that this product is at least as good as what they already have. “It’ll be just like what you enjoy, only way more of it.”

This cast? Doesn’t sway me.

I’m not sure the production values help much either. Am I the only one who’s wondering why the beards area all wrong?

I’ll at least give them this, the Weasleys are all redheads. This crew hasn’t signed on to the Ginger Genocide. I guess that’s a plus.

What’s that? I hear you ask. I’m missing someone?


Snape

Meet your new Snape, Paapa Essiedu.

Now, ignore for the moment that he looks like a male model, and not the greasy, pale, hooked-nose character described in the novel. Let’s ignore that his hair looks like it was poorly glued on.

My first objection is who dressed this man? Seriously, who thought any of this was a good idea. Leather jackets? Are we in a school, or a motorcycle club? I think they may have stolen the costume from a Silent Hill production.

You see what I mean about having little faith in the cast … or the production … or costumes …

Anyway, you might have noticed that this new Snape is black. Why did they hire him and not Adam Driver, who kind of looks like Alan Rickman if the lighting is right?

Harry Potter Fans Want Adam Driver As Snape In Prequel
Driver. I don’t know if this is modified in any way.

I suspect it’s because Adam Driver is in demand. (How does he have over 50 acting credits already?)

So is Mark Strong, who has a similar profile, and a great acting range.

So is Benedict Cumberbatch, and he looks funny enough to be Snape. (Yeesh. He was in five films last year.)

Paapa Essiedu’s demand? Not so much.

Good news. I looked up Paapa Essiedu, and he has Shakespearean credits.

Bad news. I have actually seen him act in these roles. I am not impressed.

Remember when the British media made Anne Boleyn black, in the most blatant DEI rewriting of British history? Paapa Essiedu played one of her relatives.

Of course, hiring a black actor to play Snape is going to be an issue later on in the series. Last time I checked my memory of the novels, during his time in Hogwarts, Harry Potter’s father James damn near tortured Snape, and I seem to remember Snape being hung upside down from a tree. No, that wouldn’t play differently with a black Snape. Not at all.

But I suspect that’s the point. Why hire a black actor? Cover. You might have already seen that Paapa Essiedu claims to have had death threats over being cast in the role. Really? Has he received as many threats as Rowling has had over the trans issue?

Isn’t it funny how those claims of death threats pop up immediately?3 I guess that means if you object to his performance in any way, you’re a racist.

Which is, I suspect, the point. HBO has a groundwork laid for the usual “Ghostbusters 2016” defense. Which is, you may remember, is “Blame the audience.” Ghostbusters 2016, or Ocean’s 8 or Charlie’s Angels doesn’t work? It’s misogyny! If Blue Beetle doesn’t work, it’s racism!

If this doesn’t work? Clearly racism.

Going through IMDB at random, I’ve been checking the resumes of various actors. Paapa Essiedu may have the least amount of acting credits among the adults. Normally, I’d write this off as more DEI casting, forcing diversity wherever it can be shoehorned in.

Though if that were the case, I’d be looking for more than just one race-swapped character.

I’m starting to wonder if he was hired solely on the basis of “if you don’t like this show, you’re a racist.”

It’s a theory.


Back when the Harry Potter films were being made, I remember an interview with JK Rowling discussing how she was on set as a consultant to make sure the books were accurately adapted to the screen. After all, the last thing a bunch of Producers wanted were the parents of angry ten-year-olds writing angry letters, because “You idiots ruined my child’s book series.”

This is funny because it’s now 25 years later, and you have to wonder how much of the rationale is being used to make the current edition for HBO. Only the fans being targets are not fans of the books who went on to read other books. No. Of course not. Literate people are always a joy. They have open minds.

No. I mean the terminally online. Those people who only read Harry Potter, and nothing else. Those people who only see modern politics in everything, and through the lens of Harry Potter. They’re the ones who insist the President is Voldemort, and any supporters are Death Eaters. They hang out on Blue Sky all day and seemingly have nothing else to do.

Ironically, they’re also infected with the same politics that made a lot of them turn on Rowling. You see, they were carried away by leftist ideology, and Rowling had a line in the sand they did not.

The funny thing is, Hollywood is making Harry Potter for these people—people who probably aren’t going to show up, because they hate Rowling more than anything else.

Do I think it’ll go anywhere? It doesn’t impress me. The production looks cheap. It’s dark. The cast is meh. And I don’t care if Rowling is attached to it, she’s already proven she’ll happily rewrite her own books if it aligns with her politics, which are still infected with some of the same lefty DEI nonsense.

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