Yes, today is the last day of voting for Sad Puppies 4 nominations. Yes, I know that this is a thing that can lead to all sorts of interesting possibilities. And yes, I'm recycling a blog. Why? Because time. And radio shows. And because I fisked this latest one in October. And I'm having heart palpitations just thinking about SP4, okay? Just vote or read, please.
I believe it was Stuart West who told me in private correspondence that he appreciated how many strong female characters I have. I was a little thrown there because it took me a moment to figure out what he was talking about.
I believe it was Stuart West who told me in private correspondence that he appreciated how many strong female characters I have. I was a little thrown there because it took me a moment to figure out what he was talking about.
In my novels, I have Manana Shushurin, who's a spy that's more James Bond than George Smiley. She reads, likes music, has a degree from Wittenberg university .... has no social life, and technically, lives with her mother (technically, I say, because she really lives in her office). She also has a secret that's eating a hole in her life.
I also have Maureen McGrail. She's an Interpol detective, local Dublin cop, relentless, tenacious, and she knows about three martial arts. She's also pining for a guy who came into her life, swept her off of her feet (just by being himself, really) and disappeared, without showing even a hint of romantic interest in her.
Then there's Wilhelmina Goldberg, who is 4'11", computer nerd, daughter of two esoteric languages nerds. She likes science fiction and fantasy, programs her computer to talk like characters out of Lord of the Rings, and has a subscription to Security magazine.
In context, I should point out that Stuart was using the strong female character comment as a segue into a completely different point, an issue he found in my writing. (Apparently, I shouldn't be putting in bust size as far as describing a female character. I neglected to tell Stuart that if I knew anything about clothing, I would probably include men's jacket sizes to paint a clearer, more accurate picture of them, too. But I don't know any men who are the sizes I need. Me? OCD? Nah....)
In any case, the SFC term struck me, and stuck with me.
And then there was this article, entitled I hate Strong Female Characters. If you read through it, you might find a few points to agree with, and a few problems.
Now, I agree with the author on the initial point. I also have problems with the SFC label. I really do, because it tends to detract from, oh, the point. In the example they used of Buffy-- she was smart, witty, with outside the box solutions to non-vampire problems (shall we start with the fertilizer bomb in the high school, or the rocket launcher?). But "Strong" is the only descriptor one can come up with?
In my own work, I spent so much time on developing characters like Manana and Wilhelmina, their quirks and habits and hobbies, that I feel a little awkward if the best description anyone can come up with about them is just "strong."
Though you want my problem with this author?
I also have Maureen McGrail. She's an Interpol detective, local Dublin cop, relentless, tenacious, and she knows about three martial arts. She's also pining for a guy who came into her life, swept her off of her feet (just by being himself, really) and disappeared, without showing even a hint of romantic interest in her.
Then there's Wilhelmina Goldberg, who is 4'11", computer nerd, daughter of two esoteric languages nerds. She likes science fiction and fantasy, programs her computer to talk like characters out of Lord of the Rings, and has a subscription to Security magazine.
In context, I should point out that Stuart was using the strong female character comment as a segue into a completely different point, an issue he found in my writing. (Apparently, I shouldn't be putting in bust size as far as describing a female character. I neglected to tell Stuart that if I knew anything about clothing, I would probably include men's jacket sizes to paint a clearer, more accurate picture of them, too. But I don't know any men who are the sizes I need. Me? OCD? Nah....)
In any case, the SFC term struck me, and stuck with me.
And then there was this article, entitled I hate Strong Female Characters. If you read through it, you might find a few points to agree with, and a few problems.
Now, I agree with the author on the initial point. I also have problems with the SFC label. I really do, because it tends to detract from, oh, the point. In the example they used of Buffy-- she was smart, witty, with outside the box solutions to non-vampire problems (shall we start with the fertilizer bomb in the high school, or the rocket launcher?). But "Strong" is the only descriptor one can come up with?
In my own work, I spent so much time on developing characters like Manana and Wilhelmina, their quirks and habits and hobbies, that I feel a little awkward if the best description anyone can come up with about them is just "strong."
Though you want my problem with this author?