The Good Doctor: An autistic savant wants to become a surgeon. The show jumps straight to the surgical residency, and has totally avoided medical school. Sorry, it's already stretched my credulity to expect that someone who literally doesn't answer anything phrased in the form of a question to have progressed this far in a medical career. Yes, I'm serious about the inability to answer questions. The emotional manipulation evident in the show is ham-handed, ham-fisted, and just plain "shoot me now." It's easy to make a character likable when nearly everyone else is a scumbag, a parasite, or a pathological schumck-- one character steals every idea from the autistic and claims them for his own, one surgeon is a coward who lies to patience as long as they think good things about her, and one of the hospital board is busier trying to play Game of Thrones than running his department. It's blatant emotional manipulation, making everyone a dick. There are only two characters here who are worth the time -- our savant, and Richard Shiff, who plays the president of the hospital, but he's still playing Richard Schiff, really.
And what do you expect from the guys who brought you House? Doctors who are actually interesting and likable? And the flashbacks break the pacing to Hell and gone. Daniel Dae Kim left Hawaii 5-0 to produce this crap? Oy.
Inhumans: I watched the two-hour pilot, and the third episode. They had some interesting moments here and there, but it got lost in the slow, plodding execution of the story. The Inhumans have a base on a moon -- an invisible city, with a city run by those with powers, while the unpowered drudge away in the mines beneath the city... what they're mining, we have no idea. A Game of Thrones hostile takeover ensues, sending four (later five) members of the royal family to Earth.
There are some interesting bits of business, such as the mute Black Bolt communicating largely through faces, and some of the fighting is okay. But really, Ken Leung ran from The Night Shift for this? It is slow, it is ponderous, and when only the bad guys get the best lines, I'm out.
X-Men The Gifted: I'm getting to the point when I hate the X-Bitches. Hugh Jackman carried the movie franchise, and I haven't been interested in the series as a whole since the animated series went off the air in the 90s. The X-Douches are whiny, angsty, and a pain to watch. But I'd try this for Amy Acker. The pilot opens strong, with a mutant being chased by the cops ... for reasons we don't get. It's followed by a strong, intense action piece. It ends with one of the rescue team being chapters, and the scene punctuated with -- wait for it!!!-- and angsty scream of futility. Oh, come on.
This is then follow with Amy Acker and her character's husband in a principle's office, then followed by her managing children at home ... no. Thank you. I'm done. Good bye. They can waste someone else's time. This is a gift that should be returned.
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