Interview with Jo Linsdell.

Tell us a bit about your latest book Virtual Book Tours: Effective Online Book Promotion From the Comfort of Your Own Home

Virtual Book Tours are a great way to create a buzz for a new release or to put life back into an older publication. In this book I take you through everything you need to know to be able to set up and carry out a successful virtual book tour.
The book is divided into 4 main sections for easy navigation:
1) What is a Virtual Book Tour?
2) How to organise your own tour
3) Promoting a tour
4) Useful resources
You'll find it packed with links, tips, and advice to help make your tour a hit.

Why do authors need your book?

Marketing is part of being a writer. Regardless of how you're published (traditionally or self-published), you will, at some point, need to do some marketing. Virtual book tours are one of the most effective methods of creating a buzz about your book and have numerous benefits. In this book I cover everything you need to know to organise and carry out a virtual book tour. Even if you decide not to do a virtual book tour, you'll still find this book useful as it's packed full of marketing ideas and links to resources.

Why did you decide to write a book about virtual book tours?

I've done several successful virtual book tours for my own books and have worked with book tour companies and authors for years hosting them on my sites. Over the years I've therefore gained a lot of experience in doing virtual book tour both from the author and host point of view. As I often get asked for advice about doing them from other authors I decided to put all the information together and created Virtual Book Tours: Effective Online Book Promotion From the Comfort of Your Own Home

What is the first thing you recommend authors do when they decide to organise a virtual book tour?

Put together a media kit. In creating a media kit you have all the information regarding your book, you as an author, and your virtual book tour, all in the one place. This makes it a useful reference tool for you, but also a valuable tool you can use during preparations for your tour. It looks professional and creates a good impression. I also makes life easier for your hosts as they have all the information they might need for your post all in the one place.

You created the cover art for the book yourself. What was your inspiration for the design?
I wanted a cover that was thumbnail friendly as, more often than not, it gets seen online in that format. That meant the text needed to be easy to read and the whole look needed to be clutter free. Too many details or fancy fonts don't look good in thumbnails. I also wanted an image that quickly portrayed what the book was about. I choose the theme "sending your book around the world" and played around with some ideas based on this idea. I'm really pleased with how the cover came out.

Why did you choose to self publish using Amazon's KDP program?
I've always been very pro self publishing. For me, it's always been my plan A. I choose Amazon because it's the leader in its field. Everyone knows Amazon. Using the site is super easy and through KDP your book can be available to the public in just 12 hours from hitting the publish button.

I like that through KDP setting up a free day is easy. It's a great way to spread the word about your book and get readers to take notice. I like that you can update your book information as and when you please and have full control over pricing. They also have one of the best customer services I've come across. If that's not enough, they bought Goodreads earlier this year (one of the top sites for book lovers).

You're best know for your best selling children's picture books. Why the change in genre?
For me, it's not about thinking outside the box. The box simply doesn't exist. I like to experiment with my writing and although I've had most success as an author and illustrator of children's picture books, I'm always trying out new genres. When I get an idea that gets me excited, like this book about virtual book tours, I go with it.

You're a mother to a 5 year old and a 2 year old. How do you find the time for writing and marketing?
My kids definitely keep me busy but I've learnt to make the most of the time I get. I do most of my writing in the evenings once they've gone to bed. Sometimes my husband will take the kids out for the morning to give me a break and give me a few hours to work on bigger projects.

During the day I hop on and off my social media pages to network. I have the apps installed on my phone so I can visit and engage with my contacts even when I'm not near my computer.

I use sites like Social Oomph to program some content to post at scheduled times. I do the same for some posts to my Facebook pages. This gives me a constant online presence without needing to actually be online all the time. I also program my blogs ahead of time. When you have young kids anything can happen and so you need to prepare for the unexpected. By having some content programmed in advance I give myself a safety net and so don't need to stress about keeping up with things as much.

What's next?
I'm currently working on another children picture story book The Bedtime Book, a series of non-fiction books for writers and authors about using social media, and some new collaborations as an illustrator. I like to keep myself busy ;)

Where can people find out more about you and your books?
On my website www.JoLinsdell.com

Anything else you'd like to add?

Virtual Book Tours: Effective Online Book Promotion From the Comfort of Your Own Home is available to buy at the discounted price of $2.99 for the whole month of September to celebrate its release (normal price $4.99) http://bit.ly/VBTKindle

Review: Mind Over Psyche, by Karina Fabian

Some days, it feels like Karina Fabian is being reviewed on this blog every three months. It's not entirely accurate, but close enough for government work.  Especially government right now.

So, if you remember Mind Over Mind, you don't need much of an introduction.  If not....

Deryl isn’t crazy; he’s psychic.  Desperate to escape the insane asylum, Deryl  teleports to Kanaan, a world of telepaths who regard him as an oracle.  But freedom comes at a price.  The Kanaan expect their oracle to teach them to use their powers to wage war.  Meanwhile, he’s falling in love, but to be with her means to share his psyche, which could drive her insane.  Most dangerous of all, he hasn’t escaped the Call of the Master, enemy of the Kanaan, whose telepathic manipulations were why Deryl was committed in the first place.  Now, the Master will forge Deryl’s powers into a weapon to kill all he loves or destroy his mind trying.

First, I must say that I like this world she's created.  It's one of the most comprehensive scifi worlds I've seen in a while -- one of the better planet-as-character routine I've seen since Dune, and possibly one of the better Christian science fiction premises I've seen in print since C.S. Lewis penned Perelandra.  We've got flora, exotic fauna, aliens who mate for live, like wolves or Catholics, and did we mention that there's a war coming?

At the end of the day, one of the more interesting threats is Deryl himself.  Sorry, I've got a thing for where the hero is one's own worst enemy. And in his case, if he's not careful, he's going to develop psychokinetic abilities and level Tokyo....

Oh, wait, he already has telekinetic abilities.

Yes, everyone's in trouble.

We also have an interesting introduction to the Twilight Zone. Season 1 to be precise. Literally, there's a section narrated by Rod Serling. And it's quite awesome.  Not to mention that there's a large segment of the novel that looks like The Last Temptation of Christ meets The Prisoner.

The book can be broken down into three sections, so much so that they're almost like vignettes strung together.  First, there's the incident that precipitates the accidental teleportation to an alien world.  Next, we have the Oz effect -- as in "we ain't in Kansas no more" -- complete with your standard writing conflicts of man vs. nature, man vs. self, and a man vs. society, all to varying degrees along the way. Much of it is interesting, though there are moments you might want to take Deryl and smack some sense into him. The book's strengths lay in the exploration of the alien world via the two "sidekicks," Joshua (Deryl's friend/shrink in the last book), and Tasmae, the local alien contact.

Then, part three, we actually have man vs. man .... if "the man" in this case is an alien who can kill you with his brain and throw you into a nice, ready- made nightmare. So, fun.

I like the world, I like the characters ... though there are some scenes that were exceptionally drawn out. I liked The Prisoner as much as the next guy -- maybe more than the next guy -- but when we, the readers, already know what is and isn't real, hallucinations can get tedious.

Thankfully, by the end of the day Mind Over Psyche is the payoff we wanted from Mind Over Mind.  Round three should be interesting.

Interview with Karina Fabian of Mind Over Psyche.

If you don't remember Karina Fabian ... that's too long a story to get into here, just click on "Fabian" keyword below, and you'll find her quick enough.

If you don't remember the first book in this series, Mind Over Mind, you can see my review of it here.

Now for a look at Mind Over Psyche.

Deryl isn’t crazy; he’s psychic.  Desperate to escape the insane asylum, Deryl  teleports to Kanaan, a world of telepaths who regard him as an oracle.  But freedom comes at a price.  The Kanaan expect their oracle to teach them to use their powers to wage war.  Meanwhile, he’s falling in love, but to be with her means to share his psyche, which could drive her insane.  Most dangerous of all, he hasn't escaped the Call of the Master, enemy of the Kanaan, whose telepathic manipulations were why Deryl was committed in the first place.  Now, the Master will forge Deryl’s powers into a weapon to kill all he loves or destroy his mind trying.

Interview Questions for Mind Over Psyche by Karina Fabian

1.  In Mind Over Mind, you had a romance between Joshua and Sachiko.  Will we see more of that in Mind Over Psyche?

No.  It’s Deryl’s turn to fall in love, and it will be a very different experience from Joshua’s.  For one, Tasmae is an alien.  Kanaan mate for life and when they meet their soul mate, it’s usually a compulsion.  They know, on a biological and telepathic level, that this is their soul mate, and they figure out the rest later.  Of course, Deryl being human makes things a little confusing for both him and Tasmae.  There’s more danger involved, as one or the other could drive each other insane in the literal sense.  Kanaan bonding is more than joining hearts or bodies.  They link minds.  Readers of Mind Over Mind know that’s traumatic enough for Deryl even with limited human contact.  What’s worse, however, is that Tasmae is under the psychic influence of her ancestor’s memories—her ancestor who had gone mad.  Add to that the fact that some of the Kanaan close to Tasmae see Deryl as a threat, not an oracle, and you can understand why Joshua is really worries about Deryl and Tasmae ever having the chance to be alone together.

2.  Joshua practices a form of psychiatry called neuro linguistic programming.  He used it extensively in Mind Over Mind.  Will he use it in Mind Over Psyche?

Some, but it really doesn’t work with aliens.  He will, however, save a child’s life with it, and will use some techniques to help Deryl and Tasmae out of danger.  This book, he also gets to exercise his musical talents.

3.  What is your favorite scene?

Tasmae is deeply under the influence of her ancestor’s memories and the pain and confusion have made her violent.  They’re causing Deryl pain a well, and he begs Joshua to help her.  He’s a psychiatric prodigy, right?  Never mind that he’s 19, an intern, has no drugs or orderlies as backup and oh, yeah, is dealing with aliens.  I loved imagining what Joshua, Deryl, and especially Tasmae were thinking and doing.  Crazy can be a lot of fun…when it’s not real.

4.  What’s the challenge about writing about a psychic people?

They don’t communicate just in words, but also images, emotions, and simple knowing.  For example, why have a name for a person when you can pass on the knowledge of who that person is?  Ditto for places.  However, to reach a reader, I have to use words.  No one wants to read “the captain of the Kanaan guard” ten times a page, so some characters needed names, and I needed a reason for them to have one.  In the end, humans and the Barin (who also have verbal language) name certain things.  This will be fun in Mind Over All, because Joshua will joking name a young boy who clings to him, “Axel,” and it sticks, to Sachiko’s ire.

Also, with no written language, there needs to be a way to preserve history.  This is vital in Mind Over Psyche, as memories are stored in psychic plants.  You experience things as the person experienced them—no sanitizing, no skimming, no skipping the yucky parts (unless the plant allows it.)

5.  Tell us about the everyn.  They’re more than just small dragons, right?

Oh, yes.  The everyn are part of the sentient animals species called Bondfriends.  They have a symbiotic psychic relationship with certain Kanaan (also called Bondfriends).  Without this psychic bonding, an everyn reverts to a fully animal state, while a Kanaan will ignore their physical state until they die before they reach puberty.  Bondfriends life separate from “regular” Kanaan, who don’t’ really understand their psychic relationship.  Also, because they are an animal/person mind, so to speak, they are a bit wilder than the Kanaan.

6. Where do you get your ideas? 

All over—from TV, from conversations with friends, from something on the news (or Facebook), from another book I’ve read, from a call for submissions for an anthology… There’s actually a psychological term for it: cognitive disinhibition. People with CD do not organize/file away information as well as people who don’t have it. As a result, we have a lot of stuff floating around in our minds, synapses snapping around until they link up with something else, and BOOM! Idea! Interestingly, schizophrenics also have CD, but on a more extreme level. So to all the people in college who thought I was inhibited—HA!


7. What’s a common mistake new writers make?

Following “rules” too closely. Really, there aren’t rules, just guidelines. For example, I had a friend who tried to remove every single adverb in her novel because “the rules” say “No –ly words.” Those words are a legitimate part of the English language and used judiciously (Look! -ly word), they can have an impact.

8.  You write a lot of different stuff—horror, fantasy, science fiction, comedy, devotionals…  What won’t you write?

Erotica, for one, or anything with an excess of gratuitous sex or violence. I have a rule for writing: If I’m not comfortable reading it aloud to my kids, I won’t write it. I've put aside novels because the characters want to share more than I’m comfortable writing.

Also, I won’t write something deliberately hurtful or insulting. I don’t hold back my opinions, nor do I resist a good joke just because it might offend someone. People are too prone these days to take the most innocuous stuff personally—or “personally” on behalf of someone else or some particular demographic. I spent too much of my childhood with a thin skin; life is more fun when you realize a joke is a joke.

I sometimes take on controversial subjects. The Mind Over series has a subplot concerning abortion, for example. I try to put myself aside and stay true to my characters’ feelings and attitudes. I won’t go so far as to say I’m always balanced; again, I write what I’d want my kids to read. So, while I won’t write a pro-abortion story I also don’t cast the woman who had one as the obvious villain. Life is complex, but there is a right and wrong.

9. You often decry on Facebook that you have too many ideas. How do you decide which to write first?

 

I have a rubric:
1. Will I get paid? (as in right away)
2. Am I on deadline?
3. Do I have a contract or an expectation from a publisher?
4. Will it sell more books?
5. Has the story grabbed me?

Sometimes, these blur, and once in a while, they go out the window. For example, I had an idea for a flash piece that I sent to a friend’s website. It will earn me nothing, and no one was expecting it, but the idea did not want to let go.

10. Is there a world of another writer you’d like to write in?

Madeleine L’ Engle’s Time Trilogy. Daydreaming up stories about Charles Wallance is what got me started. In fact, Mind Over Mind started in high school about Charles Wallace as an adult. Of course, it has radically changed! Deryl is nothing like Charles Wallace now, and the worlds are totally different. However, I still have one story that would work best with Charles Wallace. It takes place when he’s in his seventies and must again go in and out of people like he did in Swiftly Tilting Planet. One day, I plan to write it and use technology instead of withining—unless, of course Madeleine L’Engles’ estate wants to contact me about it!

I have been invited to write a novel in another author’s universe, incidentally. I don’t want to say more, though, until we have something more concrete. Let me just say, it’s a very interesting world premise and potentially a lot of fun.

Guest post: Karina Fabian of Mind Over Psyche.

Guest blogs: the lazy blogger's best friend ... well, it's either that or Darren Brown Tickets. This week features the return of Karina Fabian, author of Mind Over Mind, Mind Over Psyche, Neeta Lyffe: Zombie Exterminator, and creator of zombie killers, interstellar rescue nuns, and dragon private investigators.

The Joy of Having Written

By Karina Fabian

Every now and then, we have Tabata week at the gym I attend.  If you don’t know Tabata, think of it as being in labor:  20 seconds of hard pushing and pain, followed by ten seconds of rest.  Of course, drugs are discouraged and your trainer might not appreciate it if you snarl, “This is your fault!” but it only lasts an hour, and then you’re done until the next day.  Sometimes, I enjoy going to the gym, but it had been a crazy week, anyway, and my motivation was low, even less so for Tabata, but I went. 

Why?  Even though I didn't look forward to going, I enjoyed having gone.

That’s how it goes with writing sometimes.  There are plenty of times when I don’t feel like writing.  Sometimes, other things in life seem much more important, whether planning a surprise for my husband’s retirement or doing dishes.  Sometimes, it’s looking at my Amazon sales and realizing that, should something horrible happen to Rob, I would not be able to support my family on my writing.  Rarely, but on occasion, a bad review or comment from someone will make me wonder why I bother.

But why I bother in those moments is the same reason I bother to go to the gym:  Even if I don’t want to write, I invariably enjoy having written.

There’s a definite satisfaction in a scene well crafted, a character who comes alive on the keyboard, or a sentence that makes your eyes sting with its poignancy.  (Just wrote one of those today, in fact.)   There’s getting that message out of the blue from a reader saying they loved my book, or from an editor asking when the next story is coming.  There’s that hope that this story, this novel, will be the one to break through—but of course, that will never happen if I don’t write it.  I know, too, that I’m in this for the long term.  I love writing.  I love having written, and I love going back over my own stories and marveling anew at the adventures I lived without ever leaving my chair.

After eight months at the gym, including four or five weeks of Tabata, I've lost 25 pounds.  That puts me at just under 145.  One of the ladies asked me what my ultimate goal was.  I suppose I could go for 120 or 125, which is what my weight from my teens to my early thirties, but I realize that it doesn't matter as much to me, any longer.  Maybe I’ll get there, but if I can stay around 140 and keep going with my exercising, then I’m satisfied.

You know, I have to keep that same attitude with my writing.  Someday, I may make the NYT best-seller list.  I may find my Amazon sales grow enough to let my husband quit his day job.  But if that never happens, then if I can keep writing and producing and find readers who love my work, then I’m satisfied.  Even when my motivation is low, and things around me discourage me from my craft, I keep pounding away at those words, the same way I pound away at the weights (minus the labor-like groaning, of course.)

After all, the real satisfaction is in having written.

Big:  Winner of the 2010 INDIE for best Fantasy (Magic, Mensa and Mayhem), Karina Fabian has plenty of voices in her head without being psychic.  Fortunately, they fuel her many stories, like the Mind Over trilogy. Mrs. Fabian teaches writing and book marketing seminars, but mostly is concerned with supporting her husband, Rob Fabian as he makes the exciting leap from military officer to civilian executive, getting her kids through high school and college, and surviving daily circuit torture…er, circuit training.  Read about her adventures at http://fabianspace.com.   

Guest blog: Writing Non-Fiction, with Jo Linsdell

In the usual tradition of this blog, when things get tight, the pressure builds, and I can't find time to write anything.... that's when it's time for a guest blog. :)   See, easy ... unless you can hand out ipods, Virgin Media TV packages, or free books ... this is easier.

Today, we'll be hosting Jo Linsdell.  If you're a writer on Facebook, you've run into madam Linsdell before. I even had a Facebook interview with her not too long ago. Jo Linsdell is a best selling author and illustrator, award winning blogger, and freelance writer. She is also the founder and organiser of the annual online event Promo Day (www.PromoDay.info). Her latest release Virtual Book Tours: Effective Online Book Promotion From the Comfort of Your Own Home is now available from Amazon. Find out more about her at her website www.JoLinsdell.com

Writing Non-Fiction

By Jo Linsdell

I'm a multi genre author and also an illustrator so my writing process tends to differ depending on the project I'm working on. For my non-fiction books the first two steps are always the same though 1) make the cover art 2) write up the table of contents.

By making the cover art I get a feel for the book and set the tone. It also becomes "real". This is a great motivator for me and helps me focus on finishing it. Another benefit to making the cover early on is that it means I can do some pre-release promotion even before I've finished writing the book.

The table of contents is basically the structure for my book. I start by brainstorming the topic I'm writing about. For my latest book Virtual Book Tours: Effective Online Book Promotion From the Comfort of Your Own Home the topic was virtual book tours. I made a list of the questions I get asked most related to virtual book tours and they essentially became the chapters of my book. All I needed to do was put them into a logical order. With a clear plan for the book I knew exactly what to write for each chapter and book quickly came to life.

The idea was to break it down into 3 main sections; pre-tour, during-tour, and post-tour, covering everything a person would need to know to be able to set up and carry out a successful virtual book tour. I then added a forth section packed full of useful resources. The book pretty much wrote itself.

I think the main reason I found it so easy to write this book was that I already had a lot of experience and knowledge of my topic (I've carried out numerous successful virtual book tours for my own books and have been hosting others on my blogs for years. Some times working directly with the author, some times with book tour companies). Virtual book tours are also my favourite, and most effective, marketing method for promoting my books. I'm therefore passionate about the topic and enjoy talking about it. These two factors are the essentials for writing a good non-fiction. You need to know your topic and be passionate about it.

As the reader goes through your book it will be obvious whether you're an expert in your topic or not. Your excitement and enthusiasm about your topic should shine through from start to finish. If it does, you'll have them excited about the topic too and eager to use their new found knowledge.

What are the first steps you take when writing a non-fiction book? As a reader, what do you look for it a non-fiction book?

THIS! IS! 400!

This is the 400th post for this blog.  Can you believe I've been doing this for six years?  It's only felt like sixty on this end.  Along the way, I've shared with you how I invest myself in my work, dissected my life to show you how it enters my writing, given you the story of everything that has been important in my life. You folks know when I'm single, when I'm hurting, and when I'm going to lose myself in video games.  I've shared my wonder at emerging technology, my irritation at politics and the comic book industry, my love of reading and even the music du jour.

I'd like to thank you all for putting up with me that long. I never thought I was that interesting.  Believe it or not, this blog has lasted longer than some relationships I've had.

And now, I have an almost constant readership of some 2000 people, give or take a few hundred.  Wow. If it were in my power, I'd start posting gift voucher codes to thank you all for the time and energy you've spent visiting my blog and reading everything.  Now if only you would all buy A Pius Man and Codename Winterborn....

Yes, I'm joking.  But you can't blame a guy for trying, can you? :)

So, since I can't hand out gift voucher codes on this blog (and I'm not sure where I'd get them, to be honest), what do I have for you today?  Well, for one thing, I have a brand new review of my novel Codename: Winterborn, written with my co-author Allan Yoskowitz, so that'd be fun.  Also, I have a new video from Lindsey Stirling.

Enjoy all, and thank you again.

DC comics death from Above: writing for management

Starfire, bad ass.

In the not too distant past, I did an article about how DC comics seems to have a pathological problem with sex.

This month, the problems have really started to hit me.

Keep in mind, the last DC comic story I read was "Final Crisis," and that one didn't even make sense.  Once they went to the New 52, "One More Day"ed every relationship, and started warping the very nature of their characters, I have only glanced at the comics from time to time, usually to my horror.

Starfire, fashion victim

It was bad enough when DC comics took Starfire -- an alien who was fairly open about her sex life, and was completely monogamous -- and turned her into a .... I'm not entirely certain that the word "slut" is a strong enough word. Not only did they have to go out of their way to make the character amoral when it came to sex, but also gave her a costume redesign to match.

I mean, really? Who comes up with this stuff?

Then Catwoman's character redesign was .... also horrible.

I figured, okay, not a problem, that's two comics out of 52, and one of those writers is Judd Winick, who is a crappy writer to start with (Really? Let's bring back Jason Todd? That's a good idea by you?).

And then some of the most recent stupidity hit the fan.


Take, for example, Batwoman, a "Lesbian hero in the DC universe."  That, in and of itself, doesn't effect me. After all, I figured out a while ago that the DC policy on women created since the late 80s is simple: if you're not a woman dating a Superhero, or if you don't have superpowers in the DC universe, you're a Lesbian (Footnote: see Maggie Sawyer, Metropolis cop; Renee Montoya, Gotham Cop, Batwoman... you get the idea).

Here's the problem.  After building up for months the concept that "Oh, Batwoman's going to get married to her girlfriend," DC pulls the plug on the whole concept.

Now, I don't know if you're aware of this, but comic books are usually planned out at least one year in advance. This allows for planning, crossovers, editing, illustrating, etc. You can't start a 6-12 month story arc without approval.  You can't start something and blink at the last minute.

And yet, this is what DC comics has done.

If you told me that, at the last minute, someone had old religious feeling kick in and they felt they had to swerve away from a lesbian marriage .... I wouldn't believe you.

Why?  Well, aside from the fact that a lot of people don't give a crap about gay marriage (my opinion on it is here), you have.....

1) As I said above, the "new 52" imposed a "One More Day"- like idiocy on the DCU.  No one in the entire DC universe is married anymore.  Barry Allen, married forever? Not anymore. Superman and Lois married for all of the 90s? He's now dating Wonder Woman.  Marriage is, after all, for old people. Who cares if your loyal readership of decades have grown up with these characters in solid, committed relationships? Teenagers are where [DC thinks] the money is.  (Personally, I'd wager my money on the middle aged professionals doing a 9-5 and have a few bucks to catch up to Superman this week)

2) I can't see religion being a factor, given what was done to Catwoman and Starfire.  And, after cancelling any wedding for Batwoman, DC decided that they wanted artwork of a naked Harley Quinn committing suicide. Which leads me to...

3) Is it just me, or is every active writing decision that DC Makes centered around pandering?

• "Hey, we'll have some gay superheroes!" And make it a green lantern from an alternate universe who gets almost zero screen time, as well as one of a hundred interchangeable green lanterns.
• "We'll make a title heroine who's a Lesbian, yay!" as long as she doesn't get locked into a stable relationship, but we can see her make out with her girlfriend.
• "Let's have two of our strongest female leads turn into sex crazed women!"
• "Naked Harley Quinn!"

Seriously? Who's in charge of DC comic nowadays? The same five year olds who swear on MMORPGs because they just discovered these great new words?

My point? I'm not sure if I have one, short of "top-down control is bad."  I used to think it was deranged when there was an infinite amount of crises at DC.  "Oh, hey, we're going to continually shake up the DC universe every month."  But those at least created some interesting stories and some good writing along the way, such as the three year War of the Rings in Green Lantern, or the series 52.

This .... all this has just resulted in bad writing. Does anyone know what's going on anymore?  Once it was editorial lockdown from above, where everyone was in lockstep with the crisis du jour. Now, it looks like no one is in charge except for refugees from my old high school.

9-11, and Nightwish meets Lord of the Rings

Today is September 11th.

Twelve years later....

Lucky for you folks, I haven't really anything new to add to the post from the tenth Anniversary.

However, I do have a new review for A Pius Man.

If you got the expanded edition of Lord of the Rings, you will have noted that it comes out somewhere around fifteen hours.

Here it is in ten minutes.

MORE reviews and interviews

Yup, it's strange that I'm still posting these nearly six months after the book has been published, but things got strange, in short order.

First off, I've got an interview with Christopher Bunn over on his site. I think you might want to read it for his commentary more than for my answers.

Second, Glenda Bixler has written a review of A Pius Man.  And I think she likes it. A lot.

Third, there will be no DragonCon reports this year... I wanted to see a small handful of people, and it wasn't worth the money. I'm breaking even with A Pius Man right now, and every dime I have is being invested in marketing. While I would have liked to ambush John Ringo or Peter David, or even Jim Butcher with a novel... Butcher and David come to New York, a friend of mine has discussed mentioning it to Ringo.  Guests this year include Amy Acker, Steven Amell, Kelly Hu, and Eliza Dushku, all of which I've never seen before.... but that's four people, and it's not worth $2000 and six days of my life.

We'll see how things go.

Oh, by the way, did I mention that you can get both Codename: Winterborn and A Pius Man: A Holy Thriller, on Kindle, for free, during Labor day week?  No?  Well... it is.

Report on the Catholic Writer's Guild Conference. Live!

If you're wondering, like I did, why the CWG conference was "Catholic Writer's Guild Conference. Live!" (As opposed to what, Undead? No, only when Karina Fabian is President...just kidding). Actually, they have an online conference as well.

Anyway....

This post is going to be a collection of little events and moments that I really enjoyed.  I mostly went there just to hang out, and meet people that I only knew online. So I'm treating a lot of what went on as confidential.  There were one or two panels I went two that were just plain fun, and I'll write up later.

The CWG conference was in Sumerset, NJ.  While this is usually a problem for me-- like most New Yorkers, I believe Woody Allen's old line that "If Jersey's the punchline, you don't need the rest of the joke"--so I decided to go for one day.  Less time in Jersey, and, well, $40 cheaper. Did I mention I was a cheapsake? (Actually, I"m a writer in NYC, with these taxes, Donald Trump probably counts pennies here)

My arrival was surprising.  Not that the convention center and hotel were anything impressive. After going to DragonCon for five years, nothing impresses me anymore.

What surprised me was showing up at the registration counter, and having someone identify me by sight.

"Do you know who I am?" she asked. And, even if I didn't know my favorite Sherlock Holmes author offhand, I could clearly see her nametag.  Ann Margaret Lewis, author of Murder in the Vatican.

One of my favorite authors could identify me immediately. Squee!

I covered the exhibit hall in about five to fifteen minutes on the first round (later rounds would find the author of the Bad Catholic's Guide to Good Living, which I enjoyed quite a bit), then went to the CWG opening meeting.  Most of it consisted of what the Guild does, and how it operates, and how their Seal of Approval happens.

However, the panel consisted of three people I know / knew of-- Ellen Gable Hrkach (more on her later), Ann Lewis, and Karina Fabian.  In fact, at one point, before the meeting started, it was interesting. Karina Fabian was handing out slips for her free Kindle Download of Greater Treasures. She went through the room, handing them out.
She was about to hand me one, when I told her, "I read it."
"Great! Now you can review it."
I flashed her my business card. "I already did."
"John! You came!"  And she hugged me.
Come to think of it, I think she hugged me about 3-5 times that day.  I could be wrong.

After that meeting, there was coffee.  I hung around the coffee machine, planting flyers (because I'm stealthy like that), and taking them back when Karina Fabian handed them to me (she's better), and talking with a friend of hers, Arthur Powers, and someone else (I forget who).  When I mention my Anti-DaVinci Code, A Pius Man, I had positive reactions (which consisted of "Thank you, God! When are you published?"), Mr. Powers said, "I think I know that title. I handle all of them at CatholicFiction.net."

I didn't know my books were that memorable.

Oh, a random event.
Passerby: "Where's the CWG booth?"
Me: "Just go past Pope Francis and go straight up the middle."
Passerby: "Pope Francis is here?"
Me: "The cardboard cutout."
Passerby:  "Oh."

Later, in the exhibition hall, I chatted up the representative from the Chesterton Society, Richard Aleman. I later found out he was one of their authors.  I told him about my book, and my historian background, and promptly suggested I take a job with the Chesterton Academy, out in Minnesota. I was then informed that an editor from Chesterton Press (different organization) was looking for me, which was strange, because I had said hello to him that morning, making certain that my badge was at eye level the whole time.

So, I hung around the CWG booth, awaiting his return.

As I wander, meek and wary, I was approached by a youthful middle aged woman (when her hair is going slightly pale, and she has the energy of Stan Lee on a sugar rush, that is youthful middle age) who was about 4'11", maybe 5'.  She saw that my tag was CWG, and asked about what I wrote.
"I write under Declan Finn. I wrote a book called A Pius Man."
Her face lit up like a child on Christmas morning, and she shoot my hand vigorously, exclaiming "It's an honor to meet you. I loved your book. I know the review that I gave you wasn't a perfect review but it was an honest review, and that's important.  And you really should keep writing, no matter what anyone says because you're a great writer. Are you coming to my presentation later? Your book is on kindle, right? I'm doing a presentation on how to sell your kindle book, and you should come to it."
As you can tell, I paid attention to every word she said, but I was stuck at "You're honored to meet me?" [Blink, blink, blink.]
I think it was one of the happier moments of my life. I had fans. Who knew?
Oh, and "this one" is Ellen Gable Hrkach, the President of the Catholic Writer's Guild.
I told you we'd be getting back to her.

At the end of the day, it was a pleasure to finally meet all the folks who I've talked to for years. They are great, enthusiastic people, and I loved every one of them. It was a great opportunity, and I look forward to doing it again. (Yes, again. I have family doing something in Chicago next year, at the same time as the CWG conference is going on. I look forward to doing this again. If they're looking for a fighting and writing panel, they have my number. Hint, hint. :)