In one of my DragonCon reports, I noted that various authors have various reasons to have fight scenes in their novels: to honor those who have fought, to get realism in the writing, to come to grips with wars they've been in.
I'm not so high-minded.
There are some situations my characters won't be able to talk their way out of … in the case of A Pius Man, when there are people who start shooting up the Spanish Steps with a full-on assault with automatic weapons and RPGs, then there is only so much good harsh language can do for my protagonists.
The same goes with my theories on close-quarters combat. Unfortunately, most of my early fight scenes were developed by watching stuntmen dancing in various and sundry TV shows and movies. In fact, one of my characters, Sean A.P. Ryan, was a stuntman before going into the mercenary business—which is the only way that I could justify some of his crazier stunts.
Why not just use a real martial art?
Really? Which one? Tae Kwan Do, which has been referred to as a sport, even by black belts I've met? Karate, with kata dance routines that have about as much to do with an actual fight as ballet (I should know, I went for that when I was ten)?
I had come across penjakt silat, an Indonesian martial style, in Tom Clancy's NetForce
novels; it was very practical, but overly complicated for writing purposes. MMA hadn't been popular when I started writing, and that, too, is merely a sport (high kicks are nice, but MMA doesn't have to deal with being kicked between the legs).

However, a few years ago, I was exposed to a system called Krav Maga. Not in standard media, but in a video game—Splinter Cell
, to be exact. Yes, for you video game nerds, Sam Fisher
is using an actual style of combat. They didn't just make it up as they went along
Later, I picked up novels based on the series 24
, written by John Whitman
. And, wow, it was practical.
For me, Krav Maga worked from a writing standpoint. It was simple, it was straightforward, and, most importantly, it used weapons. Not to mention that it was a style that was practical—a kick to the groin is a standard weapon, one that's practiced repeatedly; eye gouges are another tactic, one that I've never seen in a standard sparring match.
It was so much better for my writing, where all of my characters are … very practical. MMA is nice, and the fighters are all real athletes, but I don't recall the last MMA match that required having participants defend themselves against a knife, or one where someone is bleeding from bite marks.
I decided to look into Krav Maga a little.
I'm not so high-minded.
There are some situations my characters won't be able to talk their way out of … in the case of A Pius Man, when there are people who start shooting up the Spanish Steps with a full-on assault with automatic weapons and RPGs, then there is only so much good harsh language can do for my protagonists.
The same goes with my theories on close-quarters combat. Unfortunately, most of my early fight scenes were developed by watching stuntmen dancing in various and sundry TV shows and movies. In fact, one of my characters, Sean A.P. Ryan, was a stuntman before going into the mercenary business—which is the only way that I could justify some of his crazier stunts.
Why not just use a real martial art?
Really? Which one? Tae Kwan Do, which has been referred to as a sport, even by black belts I've met? Karate, with kata dance routines that have about as much to do with an actual fight as ballet (I should know, I went for that when I was ten)?
I had come across penjakt silat, an Indonesian martial style, in Tom Clancy's NetForce
And Krav Maga kept popping up in things I read. After a while, I took a hint, and I did some research into Krav Maga. I started by doing some research into John Whitman.
I discovered he was a black belt in Krav Maga. And he was more than an authority. He was apparently The authority in the United States.
I discovered he was a black belt in Krav Maga. And he was more than an authority. He was apparently The authority in the United States.
For me, Krav Maga worked from a writing standpoint. It was simple, it was straightforward, and, most importantly, it used weapons. Not to mention that it was a style that was practical—a kick to the groin is a standard weapon, one that's practiced repeatedly; eye gouges are another tactic, one that I've never seen in a standard sparring match.
It was so much better for my writing, where all of my characters are … very practical. MMA is nice, and the fighters are all real athletes, but I don't recall the last MMA match that required having participants defend themselves against a knife, or one where someone is bleeding from bite marks.
I decided to look into Krav Maga a little.
